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If you remove the obi, the CD packaging is basically a normal US CD, with the catalog number KRS269 on the spine. Kill Rock Stars licensed P-Vine, a Japanese record label, to release a lot of Elliott's albums around 2007-2010 or so. It’s the sound of a looming threat that could exist in any era. This Japanese CD pressing of Either/Or was released in 2008.
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II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. I was a freshman at Oberlin, making myself depressing mixtapes to match my mood, and there was. This year marks the 20th anniversary of Either/Or, the third album by my late friend and co-conspirator Elliott Smith.I was asked by his family and label, Kill Rock Stars, to oversee the remastering process for this record Either/Or: Expanded Edition, source and mix bonus tracks, as well as to come up with text for the liner notes. For a little while, starting around 1998, Elliott Smith and I were the best of friends. Here, Emma Straub revisits Elliott Smith’s album Either/Or.
#Elliott smith either or torret series
II.” That slow drum beat and those sirens seemingly ripped out of a horror film. Revisited is a series in which writers look back on a work of art they first encountered long ago.
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There’s something immediately terrifying about “Shook Ones, Pt.
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